Vol. VIII Issue 167 Monday, January 05, 2009
Entertainment

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Nhojj: Someday Peace Love and Freedom


Interview by Ernest Barteldes

Nhojj I was impressed when I heard Nhojj's most recent independently released album, Someday Peace Love and Freedom, and that impression solidified even further when I saw him performing live as a nominee (Outstanding New Performance - Male) at The Outmusic Awards Showcase at Fez, a nightclub in Manhattan's East Village.

His sound is reminiscent of Bobby McFerrin's (he also somewhat resembles the famous maestro) but there are several other influences in his sound, including electronics coupled with tone samples varying from modern to traditional.

Nhojj, who is openly gay, was born in Guyana to a minister father, and music surrounded him from the earliest years of his life as he participated in gospel choirs back home. He relocated to New York a few years ago, where he earned a BA in Economics from NYU before taking the plunge into professional music.

Ernest Barteldes: I noticed that you opted to play all the instruments. What was the reason for that?

Nhojj: The music you hear on Someday Peace Love & Freedom are parts of samples that I pieced together. On my first project, I had musicians come in and record everything, on this project - I was vibing off of these sounds that I purchased and the songs grew out of those. It was fun, a tribute to the music of the Caribbean, I grew up listening to in Guyana and Trinidad.

I worked solo because this was about me exploring what I had inside, it was important for me to do that, it was part of my learning process as a recording artist.

Ernest Barteldes: What influences have affected you most? I notice that you have a Bobby McFerrin quality, but I notice that you also have some Asian sounds in your music - for example, the use of a Koto on Peace.

Nhojj: Yeah, Bobby McFerrin has had a big impact on my music, so has Bob Marley, gospel artists like Take 6, Richard Smallwood, and a lot of the pop stars of the 80s Michael Jackson, Whitney Houston. But when recording, it all gets fused together, even music I just heard once and can't even remember. I believe everything we've heard gets stored and comes out at the right time, by the way thanks for letting me know what sound that was in Peace - I really liked the quality of the sound over the drums, I didn't know what the name was.

Ernest Barteldes: How do you feel about the Outmusic nomination?

Nhojj: I'm flattered, I heard there were around 600 submissions, so I was really flattered that Someday Peace Love and Freedom was one CDs that the judges liked. Its always nice when someone else "gets" what you're doing.

Ernest Barteldes: You were born in Guyana to a father who is a minister. How did that affect your becoming openly "out" ?

Nhojj: Being true to oneself is seldom easy, but I have to be true to myself - my father was true to his calling and I have to be true to mine.

Ernest Barteldes: Your academic background has little connection with music. How did that come about, and when did you decide to take the plunge and become a professional musician?

Nhojj: I decided to take the plunge after graduating from school. I had been ingrained with the idea of "stability" so I started as a biology major (and hated it), I graduated with a BA in Economics, but didn't want to work the people I sat in class with, so I had to really look at my life and decide what I really wanted to do. It wasn't a matter of what I could do, because from my grades I could be a MD or an Economist. So I really had soul searching to do, and when it was all done - music was the leader by a long shot, so I jumped in. It was a tough time, because part of me really did want stability, but I needed creativity. I tried both for a while, but in the end music and creativity won, music makes me happy.

Ernest Barteldes: What is your songwriting process?

Nhojj: I play around with it on my first CD I've Been Waiting for You I had all these melodies floating around in my head and, so I started with the melody first and the melodies inspired the lyrics. I play keyboards well enough to piece basic tracks together and I'd have professional musicians come and flush it out. On this CD, I had samples that got the ball rolling, I listened to the music with a little portable tape recorder and sang the musical ideas that I got from the music.

They are both interesting ways of writing- with the first method, the sky is the limit and you have to narrow it down to a melody. With the second method, your have to squeeze the most out this 2 or 4 bar sample.

So they are like opposite ways of writing melodies. I also like to play around with the lyric writing, for the first CD, I thought about what I wanted to say and how I wanted everything worded and the images I wanted to words to create, with the second I barely edited anything, I just let it flow out.

The topics I write about are usually whatever is on my mind at the time; for the first album, I was dealing with myself, coming to terms with my sexuality, relationships, falling in love and falling out of love.

On the second album I was looking around me at the world and what was happening, 9/11 occurred around that time, so there was a lot to write about.

Ernest Barteldes: With all the controversy on gay marriage, what is your position about the matter today?

Nhojj: I'm baffled that this is an issue in 2004, I can't believe there are human beings who still oppose gay marriage.


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